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Of the irrational and the rational
Since the beginning of mankind, man has always tried to impose toothers who were believed to be "inferior". An extreme example of this is the tumultuousTwentieth and the Twenty-First centuries so far. There have been great advances in thepast decades. These are the advances in medicine, science and technology(appliances, space flight, television, internet, etc) which led both: social progress and tothe worst of human beings - genocides, wars, extremism and famine (World Wars,Rwandan Genocide, the current wars in Syria, Afghanistan, Nigeria, etc).
"You must not lose faith in humanity. Humanity is an ocean: if a few dropsof the ocean are dirty, the ocean does not become dirty" Gandhi
The music world is not unrelated to these facts. Though, the music world have broken with the “tradition” many times... radicalizing its position during the past Twentieth-century where there were (and still are) plenty of musicians (many politicized) expressing the nefarious events that occur in the world and who encouraged the development of music at the same time that pointed at these nefarious activities, the aggressiveness, the irrational and/or the rational.
“Any attempt to exclude the 'irrational' is irrational. Any composingstrategy which is wholly 'rational' is irrational in the extreme...composition.” John Cage

Program:
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Trance (2013)* for alto saxophone and piano Ana Teruel
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Memento(2003) for piano Jesús Torres
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Quebranto II: ventanas al silencio (2013)* for tenor saxophone and piano Carolina Cerezo
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It Takes Time(2013)* for soprano saxophone and piano Norah Walsh
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Waris (2013)* for alto saxophone and piano Jaime González
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Frocta (2000) for alto saxofón Alfonso Romero Ramírez
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Impetus (2006) for alto saxophone and piano Nina Senk
* Work premiered by Dúo SinCronía
Materials needed:
- Grand Piano (plus bench)
- 2 music stands.
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